Original advertisement poster from 1981 for a book on Beuys oil paintings from 1936 to 1965. Signed by Beuys himself.
This poster is an offset print with an artist’s signature in the middle right area. It was signed with a blue pen. The picture is framed and under a passe-partout. The frame is from the same period as the poster, so it already shows signs of use. To save shipping costs, the poster can also be delivered without a frame. Please just ask.
About Beuys: The polarizing effect of the works was transferred to the perception of the person. The critics spoke disparagingly of a “charlatan” or “shaman”, enthusiastic followers considered him a “Leonardo da Vinci of the present”. The wealth of statements that Beuys made public also gave sufficient reason for attributions to his person. For example, he has been called the “Man of Pains in Art” for his reflections on a central motif in art, death. “Actually, he always did the other thing, always the most absurd thing – 100 days of talking at the documenta, wrapped in felt, standing in one spot for hours, living with a coyote, washing people’s feet, taking gelatine off the wall, sweeping the forest , explain the pictures to the dead rabbit, start an animal party and bandage the knife if it cuts its finger.” – Heiner Stachelhaus: Joseph Beuys, Econ, Düsseldorf 1996.
This poster is an offset print with an artist’s signature in the middle right area. It was signed with a blue pen. The picture is framed and under a passe-partout. The frame is from the same period as the poster, so it already shows signs of use. To save shipping costs, the poster can also be delivered without a frame. Please just ask.
About Beuys: The polarizing effect of the works was transferred to the perception of the person. The critics spoke disparagingly of a “charlatan” or “shaman”, enthusiastic followers considered him a “Leonardo da Vinci of the present”. The wealth of statements that Beuys made public also gave sufficient reason for attributions to his person. For example, he has been called the “Man of Pains in Art” for his reflections on a central motif in art, death. “Actually, he always did the other thing, always the most absurd thing – 100 days of talking at the documenta, wrapped in felt, standing in one spot for hours, living with a coyote, washing people’s feet, taking gelatine off the wall, sweeping the forest , explain the pictures to the dead rabbit, start an animal party and bandage the knife if it cuts its finger.” – Heiner Stachelhaus: Joseph Beuys, Econ, Düsseldorf 1996.
-
Creator:Joseph Beuys(Artist)
-
Dimensions:Height: 32.68 in (83 cm)Width: 25.01 in (63.5 cm)Depth: 1.19 in (3 cm)
-
Style:Post-Modern(Of the Period)
-
Materials and Techniques:GlassPaperWood
-
Place of Origin:Germany
-
Period:1880-1889
-
Date of Manufacture:1981
-
Condition:FairWear consistent with age and use. The frame has signs of wear. The poster has slight foxing.
-
Seller Location:Hamburg, DE
-
Reference Number:Seller: LU3958318389102
Reviews (0)
Reviews
There are no reviews yet.